Because The Cell is partially set within the minds of various characters, the various dream environments often lack basic logical connections: a blanket gradually transitions into the dunes of a desert the control room is suddenly replaced by a cage a beach ends suddenly in a doorway back into the corridors of a palace Catherine hides in a closet, only to turn around and find that there's now a room behind her - more specifically, one where Carl Stargher is butchering his first victim. This is what Hell's Bucket in Cabin Boy is like when the crew go to sleep, the temperature is nearly tropical, and the next morning they're awakened by an iceberg crashing into their ship. In Altered States, one of the earliest signs that something is wrong with Eddie Jessup's hallucinogen experiments occurs when he not only begins to experience evolutionary Body Horror while apparently sober, but opens the bathroom door to find himself staring into Hell. When Rex Kramer is driving to the airport, the obviously rear-projected road behind him keeps changing on a dime first he runs over a biker, then starts swerving wildly (with no corresponding head tilting), and finally ends up in front of a bunch of people riding horses on a dirt path. Played for laughs (just like everything else) in Airplane!. and even more so when he sees himself standing in front of him a moment later. and then, after several minutes of Hyper Space Is A Scary Place, he very suddenly finds himself in what appears to be a mansion - no transition, no portal, just a hard cut to a luxurious neoclassical interior. .jpg "jumpcut teleport")
2001: A Space Odyssey sends Dave Bowman on a plunge into a hallucinogenic hyperspace after he encounters the Monolith in space.
#Jumpcut teleport windows#
1408: The room changes itself many times to unsettle Enslin, such as the bathroom being replaced by a larger one where his father sits alone, the windows being replaced with walls, and the fridge opening into Mr.
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