#Fontagent pro 7 pro
If during the diagnosis it locates missing bitmap or outline partners that belong together, it gives you the option to place them together in the same folder in your library.įontAgent Pro lets you import only matched Type 1 fonts into your custom library (the folder - aside from your system folders - you’ve chosen to manage fonts from with FontAgent Pro). (Removing them from your system might not be a good idea - you may find the missing partner files later.)įont Doctor places orphaned fonts into a “moved” folder, or if you prefer, into the Trash. The solution: Some font-management tools, including Font Doctor and FontAgent Pro, help you locate orphaned fonts quickly so you can deactivate or even remove them from your font library.
The problem: When PostScript Type 1 screen fonts get separated, or “orphaned,” from their corresponding printer font files, they won’t display or print properly. Suitcase Fusion’s Find Exact Duplicates feature. Note also that all font managers let you display fonts by font type, so it’s simpler to activate the correct font, and identify and remove exact duplicates.įigure 2.
#Fontagent pro 7 mac os
Some font managers, such as Suitcase Fusion (Figure 2) and Apple’s Font Book (free with Mac OS X), have sorting commands that help you identify duplicates, making it much easier to choose the correct fonts to use for a specific document. The solution: The more versions of a font you have loaded, the more you need a font manager. If you accidentally activate the wrong version of a font, its slightly different sizing and spacing information may change text justification and alignment (especially around text wraps). The problem comes in knowing whether you’ve activated the right version when re-opening the file. For example, it makes sense to have multiple versions of a font because each version can contain different spacing and sizing information, as well as different styles, such as condensed, semibold, or black. Duplicate fonts aren’t necessarily bad things. You can encounter two types of duplicates: exact duplicates, which are identical and can confuse your system and duplicate fonts, which share a name but have different characteristics. The problem: One of the hardest things to manage when it comes to fonts is duplicates, especially if you’re trying to manage them manually in Mac OS X.
These apps can also empty application font caches - that includes caches for Adobe applications, Microsoft applications, and QuarkXPress. Font Explorer and Smasher run only on Mac OS X.įigure 1.
#Fontagent pro 7 software
However, I highly recommend leaving this task to Font Doctor, the free Linotype Font Explorer, or the $49 Insider Software Smasher (Figure 1). The solution: You can empty the system font cache manually by locating the proper files, trashing them, and restarting. The problem: When your fonts look jumbled and distorted onscreen or when writing PDFs, or you get printing error messages that are font-related, your system’s font cache may need to be emptied.
With any of these applications, you can run a diagnostic check when importing fonts into your library, or run a check on your fonts whenever you suspect there may be a problem with corruption. FontAgent Pro ($99 from Insider Software) has built-in font diagnosis and repair tools.
#Fontagent pro 7 windows
It’s the best way to keep your font library clean.Īs well as being a standalone product, Font Doctor is also bundled with Suitcase Fusion and Suitcase for Windows (both $99 from Extensis). The solution: Buy a font-management tool, such as Extensis’ $69 Font Doctor, that locates, repairs, and removes corrupt fonts from your library.
Corrupt fonts can cause printing and display problems and can even crash applications. The problem: The more often you activate and deactivate fonts (make them available or not available in your application font menus), the more likely it is that some of them become corrupt. If you’d like to first brush up on the different font formats, read the sidebar “ It Takes All Types.” To compare pricing information and platform availability for the major Mac and Windows font-management software, see the table “ Troubleshooting Tools.” Let’s go through the most common problems and the best ways to deal with them. However, if you know what to watch for, troubleshooting can be a lot easier. Unfortunately, there’s no such thing as a completely smooth font workflow. They can take your designs to a new high, but the problems they cause can bring you to a new low. Fonts - can’t live with ’em, can’t live without ’em.
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